I have CG 30127 on my copy. Both the album cover and the record labels state my copy was made in Holland (i.e. Until that blockbuster arrives, we have (Untitled). I have CG 30127 on my copy. Side B could be the singular reason to pick this up, if only for the truly psychedelic and mesmerizing live take of Eight Miles High. The only song on the album to get heard by people other than serious Byrds fanatics was McGuinn's "Chestnut Mare," but "Truck Stop Girl," "All the Things," the group's version of Leadbelly's "Take a Whiff on Me," and, especially, "Just a Season" (maybe the prettiest song McGuinn has ever written) also hold up very well. Far from their best. But that’s the way love goes. Plus, I really like the cover of this album, with the weird perspective/collage happening. The first disc is live and essential: it is the first official live release of The Byrds. Perhaps the ultimate live document, never released Troubador show from the Five Byrds will best this fine record. 2. 1. Unfortunately, it isn’t the first incarnation of the band. But greatness abides in two cuts, the majestic “Chestnut Mare” and “Take a Whiff”, another perfect Byrds’ cover. Other numbers, like the environmental ode "Hungry Planet," are more of an acquired taste. The two-CD set Untitled/Unissued contains the Byrds ' 1970 Untitled album (originally a double LP) on disc one, and 14 previously unissued alternate versions, studio recordings, and live performances on disc two. "Eight Miles High" is the high point, a … The first disc is live and essential: it is the first official live release of The Byrds. My Copy is as described, except, no Promo Copy Sicker. (Untitled) The Byrds. The first disc is live and essential: it is the first official live release of The Byrds. Side B could be the singular reason to pick this up, if only for the truly psychedelic and mesmerizing live take of Eight Miles High. Just a nitpick. Released September 14, 1970 (Untitled) Tracklist. But that’s the way love goes. The first disc is live and essential: it is the first official live release of The Byrds. 3. On some of this material (especially the Parsons-Battin "Yesterday's Train" and Battin's "Well Come Back Home"), they sound more like Crosby, Stills, Nash & Young. Until that blockbuster arrives, we have (Untitled). The runoffs are PAL 30181 1-B PBL 30181 1-B. Columbia Records Pressing Plant, Terre Haute, Buy Vinyl, Matrix / Runout (Side A - etched): T | PAL 30181 1-A, Matrix / Runout (Side B - etched): T | PBL 30181 1-A, Matrix / Runout (Side C - etched): T | PAL 30182 1-A, Matrix / Runout (Side D - etched): T | PBL 30182 1-A. not 'Europe'). Unfortunately, it isn’t the first incarnation of the band. Should be G 38127, Not G 30127. The labels are numbered, not designated by letters. Until that blockbuster arrives, we have (Untitled). Positively 4th Street (Live) Lyrics. Wrong image. Wrong image. This was not the Byrds ' most exciting era, but a lot of extra material existed, and Untitled was going to be reissued either way. Perhaps the ultimate live document, never released Troubador show from the Five Byrds will best this fine record. "Eight Miles High" is the high point, a 15-minute jam that showcases this band's prowess. But that’s the way love goes. Plus, I really like the cover of this album, with the weird perspective/collage happening. Until that blockbuster arrives, we have (Untitled). Perhaps the ultimate live document, never released Troubador show from the Five Byrds will best this fine record. Among the later Byrds albums, Untitled was always the one to own, even if you weren't a huge fan. Among the later Byrds albums, Untitled was always the one to own, even if you weren't a huge fan. Perhaps the ultimate live document, never released Troubador show from the Five Byrds will best this fine record. Lover of the Bayou (Live) Lyrics. Should be G 38127, Not G 30127. Issued back in 1970 as a two-priced-as-one LP, Untitled was one of the few modest commercial successes for the latter-day group. The studio sides aren't to be overlooked, however -- the group by this time was modifying its established sound into more of a '70s mode, and the influence of new members Gene Parsons and Skip Battin was showing up, pushing aside the familiar timbre of Roger McGuinn's 12-string Rickenbacker in favor of a leaner country-rock orientation. Far from their best. Unfortunately, it isn’t the first incarnation of the band. (Untitled), 2xLP, Album, Ter, G 30127, CG 30127, (Untitled), 2xLP, Album, Promo, Gat, G 30127, Absolutely Live - 250 albums en public revisités (Rock & Folk Hors-Série n°13, Décembre 1997), The Coming of Prince Kajuku: 52 Rave Up (Rock & Folk n°535, Mars 2012), Urban Legend, Myth, Apocrypha & Other Diversions. The runoffs are PAL 30181 1-B PBL 30181 1-B. Unfortunately, it isn’t the first incarnation of the band. But greatness abides in two cuts, the majestic “Chestnut Mare” and “Take a Whiff”, another perfect Byrds’ cover. Issued back in 1970 as a two-priced-as-one LP, Untitled was one of the few modest commercial successes for the latter-day group. But that’s the way love goes.
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