post 1975!) 5 star 76% 4 star 17% 3 star 5% 2 star 2% 1 star 0% (0%) 0% Turbulent Indigo. So while the albums are no longer Mitchell's voice right in front of the lone guitar for that late '60s folk-rock sound, it has the generic smoky club-produced sound to it that seems to capture a lot of more mature artists. An hommage to Vincent Van Gogh, "Turbulent Indigo" not only pushes the boundaries of pop music, but redefines them. "Sex Kills" is another powerful track (with a title like that, one would expect that it has something important to say) where Joni takes on everything from lawyers to oil spills to the evils of traffic. You can still see all customer reviews for the product. “And they’re poking at the miseries made of love.”, The spine-tingling “Sex Kills” profits from Mitchell’s recent work with synthesized textures. This album is more about an overall sound. The words are brutally confidential on the closing “The Sire of Sorrow (Job’s Sad Song).” Mitchell’s background vocals underscore her lead voice — “Man is the sire of sorrow” — like a chorus recruited from “The Magdalene Laundries,” her song about an Irish work convent for fallen women. It also analyses reviews to verify trustworthiness. There are "Joni chords" from the early period; prominent bass from the Hejira era; the flowing, mellifluous, and provocative poetry that has marked her entire career; jazzy inflections from Court and Spark and Mingus; and, throughout, there's that characteristic atmosphere that identifies this artist five seconds after a song starts. This album is well produced and more modern-sounding than much of her other material, without departing too far from her distinctive thoughtful melodic and relaxing sound. Relaxing and challenging. Sign up for our newsletter. From the early innocent work of the 1960's, to her groundbreaking opus, "BLUE", she has always challenged the norm. Her talent cannot be overestimated, it's astounding. Reviewed in the United Kingdom on 3 December 2015, Reviewed in the United Kingdom on 3 August 2013, I'm still a relative newcomer to Joni, I fell in love with blue and have enjoyed her following 3 albums and clouds however i never felt any of these other works quite matched blue because the Melodies were too often difficult as were the lyrics (court and spark is an exception to this) and also the vocals seemed perhaps older and wiser, but never as honest as blue. Rezension aus dem Vereinigten Königreich vom 26. It's a chilly,fretless bass heavy sound (it's apparent the sound of Jaco Pastorious impacted heavily on Joni's sound) with some occasional disonant jazz sax floating in and out of the arrangement. This page works best with JavaScript. Niece is a fan, bought it for her for Christmas, Reviewed in the United States on April 17, 2018. This album is a mature, compassionate, and sometimes ironic voice. Turbulent Indigo is kind of a hybrid album. Write a review. Konto und Listen Konto ... ©HIFI Test - Detlef Kinsler -- HIFI Test Mit ihrem 17. This is a gorgeous set of mature songs. The sound is spare, with songs anchored by the singer’s piano (“Not to Blame”) or guitar (“Borderline”). Turbulent Indigo has no shades of grey to speak of, only pitch-black, dark blues, and violent splashes of red for contrast. This album feels like it continues in that superb tradition of sparseness (despite the more complex production values - a subtle development of those found in Chalk Mark... and Night Ride...) and intensity. So glad I finally caught up. 1. With "Turbulent Indigo", Ms. Mitchell takes the brilliance of "Blue" to the max. Turbulent Indigo is the 15th album by Canadian singer-songwriter Joni Mitchell. Turbulent Indigo › Customer reviews; Customer reviews. Album kehrt Joni Mitchell zu dem Plattenlabel zurück, auf dem sie 1968 als songschreibende Folksängerin ihre Karriere begann. Reviewed in the United States on October 25, 2011. Her choice of topics here is certainly serious, with song titles like Sex Kills and Turbulent Indigo. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. Prime members enjoy fast & free shipping, unlimited streaming of movies and TV shows with Prime Video and many more exclusive benefits. Who cares what I think? As far as Joni's folky-sounding stuff goes, I prefer this album to "Blue", and that's saying a lot! Rezension aus dem Vereinigten Königreich vom 9. It also analyzes reviews to verify trustworthiness. Honestly, I'm not that egotistical to think anyone will buy this album just because I've decided to give it my highest rating. There's no pure Earth-mother vibe like the early days, and she's long past the loopy, hippy-ish vibe that she projected on "California." AllMusic Review by William Ruhlmann Joni Mitchell returned to the relatively spare style of albums like Hejira and her early folk collections on Turbulent Indigo , emphasizing her acoustic guitar strumming and singing on a series of songs that detail the political and social discontent she had previously explored on Dog Eat Dog and Chalk Mark in a Rain Storm . Reviewed in the United States on December 15, 2011. There are "Joni chords" from the early period; prominent bass from the Hejira era; the flowing, mellifluous, and provocative poetry that has marked her entire career; jazzy inflections from Court and Spark and Mingus; and, throughout, there's that characteristic atmosphere that identifies this artist five seconds after a song starts. As per usual, Joni gives you your money's worth, each and every song is a homerun, sorry to say the same can't be said for even some of the most popular artist's, take note Bob Dylan!
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